Maur's "NASTY": A Bass House Beast That's Got That Old-School Fire Still Burning Hot in 2025

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Hey there, fellow house heads! If you're anything like me, you've been craving that raw, unfiltered energy that only a proper bass house banger can deliver—especially when it nods back to the golden era of old-school house. Enter Maur's latest drop, "NASTY," a track that's straight-up filthy in the best way possible. Picture this: thumping basslines that hit you right in the chest, electro house synths slicing through the mix like a laser, and a build-up that leaves you begging for the drop. In a year where bass house is making a massive comeback—think those gritty, warehouse-rave vibes clashing with modern production polish—"NASTY" feels like the perfect antidote to all the watered-down EDM floating around. It's got that infectious groove that makes you wanna clear the dancefloor and go feral. Who's ready to turn up?




If you're new to Maur or just need a refresher, let's dive into what makes this UK duo such a force in the bass house and electro house scene. Dan Clare and Dylan May, the masterminds behind Maur, were already killing it as solo DJs before they teamed up to unleash their signature sound—high-energy, melodic heaters that pack a punch. Back in 2020, they exploded onto the scene with a string of bangers on labels like ViVA, W&O Street Tracks, and CR2. Their breakthrough track, "Set You Free" on Sola, didn't just climb charts; it owned Beatport's number one spot for a full four weeks and became one of the platform's best-sellers that year. Talk about a mic-drop moment!

Fast-forward to 2021, and Maur was everywhere. They got the nod as one of Tomorrowland's artists to watch, which is basically the dance music equivalent of being crowned royalty. Dropping the "Can't Get Enough EP" and "Deep Inside" on Sola, they racked up massive Radio 1 love from heavyweights like Pete Tong, Annie Mac, and Danny Howard. "Deep Inside" even snagged the cover spot on Spotify's UK House Music playlist—proof that their old-school house roots mixed with bass house swagger were resonating hard. Then came the collab with Solardo on "Power," a summer anthem that exploded with millions of Spotify streams and non-stop radio spins from dawn till dusk across the globe. And get this: Radio 1's Dance team, including Danny Howard, Sarah Story, and Pete Tong, tipped them as Ones To Watch for 2022. That kind of industry buzz doesn't lie.

But Maur didn't slow down post-2021—they've been grinding like pros. Kicking off 2025 with a debut US tour in January via Radius Artists, after setting the stage with an Australia run the year before, they're proving they're built for the big leagues. Teaming up with Canadian producer Simon Doty for "Super Freak" on Tomorrowland Music back in August, they delivered another electrifying slice of dancefloor dynamite that's got that pulsating bass house edge we all crave. Lately, they've been teasing a fresh piano-driven track featuring vocalist Nadia Hadu Gyamfi, blending their melodic flair with something a bit more soulful—hinting at how they're evolving while staying true to those electro house roots. And if you're catching them live? They've been lighting up spots like Revolver Sundays in Australia alongside Flava D and Archie Hamilton, or sharing the decks with KC Lights at Art Club—pure fire for any bass house fan. In a genre where trends like hybrid bass drops and nostalgic old-school samples are dominating 2025 playlists (hello, Spotify's Radar: Bass House charts blowing up), Maur's "NASTY" slots in perfectly. It's got that gritty bass wobble that echoes the underground clubs of the '90s, but with electro house production that's crisp enough for today's festival mainstages. The track's relentless rhythm and those signature Maur melodies build tension like a pro wrestler hyping the crowd—by the time the bass kicks in, you're hooked. No wonder bass house searches are spiking this year; tracks like this remind us why we fell for the genre in the first place—pure, unadulterated escapism on the dancefloor.

What I love most about Maur is how they keep it vibrant and accessible without dumbing it down. Their sound screams "play me loud," whether you're spinning it at a sweaty warehouse party or blasting it on your pre-game playlist. In an era where electro house is fusing with tech influences and bass house is getting that retro glow-up, "NASTY" is a timely reminder of what makes these subgenres timeless: that raw energy that gets everyone moving, no questions asked.

Alright, real talk— if you're an up-and-coming artist in the bass house or electro house game, tracks like "NASTY" show what's possible when you lean into your vibe and let the industry catch up. Want to get your own heaters out to Beatport, Spotify, and beyond without the hassle? DistroKid's got your back—super easy uploads to all the major platforms, and you keep 100% of your royalties. Plus, snag a sweet 7% off your first year with this link: https://distrokid.com/vip/seven/2058328. It's a no-brainer for indies looking to blow up like Maur did.

So, what's your take on "NASTY"? Does it scratch that old-school house itch for you, or are you team electro house all the way? Drop your thoughts in the comments—I wanna hear which Maur track you'd blast first at your next rave. Share this if it got you hyped, and keep those submissions coming via SubmitHub. Let's keep the bass thumping!

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