Monika Santucci's 'Miss The Days': Blending Drum & Bass and Future Bass for a Nostalgic Bass Drop

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Hey there, fellow bass heads and electronic music lovers! Ever catch yourself reminiscing about those carefree days, but instead of a sappy ballad, you want a track that hits you with a euphoric drop and rumbling sub-bass that makes your speakers weep? If you're nodding along, Monika Santucci's new single "Miss The Days" is about to become your go-to anthem. Dropping on the Heaven Sent label, this tune fuses mainline drum & bass, light drum & bass, and future bass elements into something that's equal parts heartfelt and head-banging. In a year where drum & bass is exploding across the US festival scene—like at EDC and beyond—Monika's arrival feels perfectly timed. Let's dive in and unpack why this LA powerhouse is the artist you need on your radar right now.




Picture this: the track kicks off with those signature future bass synths—bright, modulated, and full of that 2010s nostalgia but twisted into something fresh for 2025. As it builds, the mainline drum & bass rhythms lock in, delivering crisp breaks and a rolling groove that's impossible not to move to. Then comes the light drum & bass layer, adding those airy, melodic touches that keep things from getting too heavy. Monika's angelic vocals float over it all, infusing the bass-driven beats with her pop sensibility that she's famous for. It's genre-shattering in the best way—think trap-influenced 808s meeting euphoric drops, all wrapped in a production that's polished yet raw. Releasing on Heaven Sent, "Miss The Days" captures that bittersweet vibe of longing without ever feeling weighed down, making it a standout in the new drum & bass tracks flooding playlists this year.

But who is Monika Santucci, the voice behind this bass-heavy magic? If you're tuned into the electronic world, her name's been buzzing from California's sunny shores all the way to global stages. Based in LA, she's one of the city's fastest-rising all-rounders, juggling a packed booking schedule with releases that keep dropping like confetti. That infectious mix of pop hooks, ethereal vocals, and thumping bass? It's no accident—it's the result of a lifetime soaked in music inspiration. Back in 2019, her collab with William Black on "Deep Blue" from his debut album Pages racked up over 20 million streams combined, hitting #13 on the Billboard Top 40 Dance Album chart and snagging #1 on iTunes Top Dance Album. Not too shabby for a rising star!

Fast forward, and Monika's "Free Fall" with Grammy-nominated Andy Moor and Somna climbed the Top 10 on Beatport Trance, even earning spins on Armin van Buuren's A State of Trance. Her catalog? It's a who's who of labels: Ophelia Records, Seeking Blue, Monstercat, Lowly Palace, AVA Recordings, Reaching Altitude, Musical Freedom, Subsidia Records, and more. In 2020, she inked a publishing deal with HALIENE's Golden Thread Music, solidifying her spot as a go-to for songwriting and vocals that critics rave about. Front View Magazine called them "blissful," while Conscious Electronic dubbed them "beautiful...evocative." With "Miss The Days," Monika's leaning into drum & bass and future bass territories, proving she's not just versatile—she's boundary-pushing.

Speaking of which, drum & bass in 2025 is all about hybrid sounds and global energy, blending influences from neurofunk to liquid funk in ways that feel innovative yet accessible. We're seeing more crossovers with future bass elements, like those pitch-bent synths and melodic drops that echo dubstep's heyday but with a brighter, more inclusive twist. Artists are collaborating across borders, and the US market? It's on fire, with DnB sets popping up at major fests and TikTok trends amplifying the best drum & bass tracks of the year. Monika fits right in, bringing her West Coast flair to a scene that's evolving faster than a 170 BPM breakdown. Tracks like hers are why 2025 is shaping up as a landmark year for the genre—more new-gen talent, more genre-blending bangers, and a whole lot of energy that's drawing in crowds worldwide.

If you're an artist grinding in the studio, dreaming of getting your drum & bass or future bass creations out to the masses, let's talk distribution for a sec. Platforms like Spotify and Beatport are goldmines, but getting there hassle-free? That's where DistroKid shines. It lets you upload unlimited tracks to all the big streaming services, keeping 100% of your royalties—no hidden fees eating into your earnings. Plus, as an indie creator, that 7% discount on your membership via this link is a game-changer: https://distrokid.com/vip/seven/2058328. Imagine dropping your next light drum & bass heater without the headache—more time for what you love, reaching fans like me who can't get enough.

So, what's your take on "Miss The Days"? Does Monika's blend of angelic vocals and bass drops have you missing those good ol' vibes, or is it firing you up for the next DnB rave? Hit the comments below and spill—I'm all ears. And if you're digging this, share it with your crew; let's keep the drum & bass wave rolling in 2025. Until next time, keep those subs low and your playlists high!

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