Hey everyone, have you ever had one of those moments where a song just hits you right in the chest with all the unspoken words you've been carrying around? That's exactly the vibe I'm getting from Molly Mogul's latest single, "100 Things (That I've Been Meaning To Say)." Dropped on February 6, 2026, this track is the second single leading up to her debut album A Bouquet of Hopes and Dreams later this spring, and it's already making waves in the dark pop and alt pop scenes.
Dark pop has been having a serious moment lately—think moody atmospheres, shadowy electronic textures, and that addictive blend of catchy hooks with deeper emotional undercurrents. In 2026, we're seeing playlists packed with dark pop hits that mix haunting melodies, pulsing synths, and introspective vibes, often drawing from alt pop and singer-songwriter roots. It's the kind of sound that's perfect for late-night drives or processing complicated feelings, and Molly Mogul nails it perfectly here. The production feels cinematic and layered, with those signature dark pop elements like atmospheric synths and a restrained yet powerful delivery that lets the emotion breathe. It's moody without being over-the-top, pulling you into a space that's intimate and a little haunting—exactly what fans of the genre are craving right now.
Molly Mogul herself is such a fascinating artist. This bilingual singer-songwriter and multidisciplinary performance artist hails originally from a small village in Germany called Inning am Ammersee near Munich. Her musical journey started unexpectedly when her dad accidentally signed her up for choir—talk about a happy accident! That sparked a real passion, and at 19, she moved to Bristol for love, dove into art studies, and got immersed in the UK's underground scene. She's drawn inspiration from folks like Loyle Carner, Little Simz, Lava La Rue, and Biig Piig, which makes total sense when you hear the thoughtful, boundary-pushing quality in her work.
Molly writes and performs in both English and German, and she's co-founded the Dirty Spread Collective, a queer and FLINTA-led platform for experimental music and performance. Her early stuff included a self-titled debut EP recorded while living in a van (nomad life realness), collaborating with artists like Niki (Young Hoffi) and Bristol producers. Then she headed to Barcelona for a Master's in Creative Performance Practice, focusing on musical theatre and contemporary dance. Her debut album was written in Munich with longtime collaborator Niki and produced with Yann Rose at Ciel Rouge Studios in Paris—yep, the same spot that's worked with heavyweights like Brodinski, Charlotte Gainsbourg, and Christine and the Queens. Talk about a nomadic, cross-cultural creative path that's shaped her into this unique voice blurring pop, experimental sounds, and movement-driven storytelling.
"100 Things (That I've Been Meaning To Say)" feels like the perfect extension of that journey—introspective, genre-blending, and emotionally raw. It's part of an exciting release schedule: "Run" kicked things off in January, this one's out now, then "There's A Light That Never Goes Out" in March, "All U Can Eat" in April, and the full album A Bouquet of Hopes and Dreams on April 30, 2026. If you're into dark pop, alt pop, or singer-songwriter tracks with real depth, this is one to add to your rotation immediately.
What do you think of Molly's sound? Does "100 Things" capture those unsaid words for you, or are you just vibing with the moody production? Drop your thoughts in the comments—I'd love to hear!
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