Rzekomo "be spoken." Review: Avant-Garde Electronica That Lets You Finally Breathe

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Hey music lovers, ever had one of those tracks hit you right when your brain needed a pause button? That’s exactly what Rzekomo delivers with “be spoken.” — the focus track pulled from the album The Gray Zone of Talk. If you’re into forward-thinking electronica that refuses to sit in any neat little box, this one’s going to live in your rotation for weeks.




Right from the opening moments, “be spoken.” pairs jazz-inflected guitar lines with glitchy, granular synthesis and a steady bed of beats. It feels intimate yet expansive, like someone took warm, organic guitar tones and ran them through a digital dream machine. By the time the woodwind instruments ease in, the whole thing opens up beautifully. The tension that probably built across the earlier tracks on the album starts to melt away, giving you this genuine moment to exhale before the finale hits. It’s the penultimate track for a reason — it knows exactly when to breathe.

Rzekomo is an avant-garde project diving deep into modern culture through electronica. The entire album draws inspiration from philosopher Henri Bergson and the idea of intuition that lives beyond language. That concept gets turned into something they call “the gray zone of talk” — the unspeakable stuff that actually binds us together stronger than words ever could. The track titles on the album form a single phrase that unlocks the whole message: “That which is not speakable shapes unity stronger than that which can be spoken. There is no need to talk about everything.” Pretty powerful when you let it sink in while the music washes over you.

Sonically, this is electronica that feels alive. The glitched guitar textures evolve across the project, but on “be spoken.” they’re joined by those warm woodwinds, creating a gradual release that mirrors the thematic relief. It’s not aggressive IDM or cold minimal techno — it’s thoughtful, textural, and strangely comforting. The granular processing gives the guitars this shimmering, almost liquid quality that pairs perfectly with the rhythmic foundation. Close your eyes and you’re floating somewhere between jazz club haze and digital ether.

What I love most is how intentional it feels. In a streaming era where so many electronic tracks chase dopamine hits and quick virality, Rzekomo is playing a longer, more rewarding game. This is music for deep listeners — the kind who put on headphones, dim the lights, and actually sit with a record. If you’ve been craving electronica with real conceptual weight and beautiful execution, “be spoken.” is that rare find.

The full album The Gray Zone of Talk continues this exploration, blending organic instrumentation with forward-thinking production in ways that feel fresh but never pretentious. Rzekomo isn’t here to shout — they’re inviting you into a quieter, more reflective space where intuition does the heavy lifting.

If this resonates with you, go stream “be spoken.” on Spotify or SoundCloud right now. Let it sit with you. Then explore the rest of the album — it’s one of those projects that rewards repeat listens and reveals new layers each time.

And if you’re an artist yourself reading this, wondering how to get your own music out to the world properly — do yourself a favor and check out DistroKid. It’s hands-down one of the easiest and most artist-friendly ways to distribute your tracks to every major platform while keeping way more of your earnings. New users can grab 7% off with this link: https://distrokid.com/vip/seven/2058328. Seriously, it makes the whole process painless so you can focus on creating instead of admin headaches.

What do you think — does “be spoken.” give you that same sense of relief, or are you craving more glitch-heavy chaos? Drop your thoughts in the comments. I read every single one.

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