There’s something special about a house track that feels like it could have rolled out of a Chicago basement in the late 80s yet still slaps hard on a 2026 dancefloor. Eridu’s new single All The Ways does exactly that. Clocking in at a perfect 129 BPM, this deep-house cut is built for those late-night moments when the floor is packed and nobody wants the energy to drop.
From the first bar you’re locked into a deep, rolling sub-bass groove that sits right in the pocket. Crisp, shimmering hi-hats keep everything tight and propulsive while warm, chord-driven melodies weave through the classic four-on-the-floor pulse. The track never feels rushed. It just glides, giving dancers room to move while still pushing forward. Around the halfway mark things open up into a stripped-back breakdown. The low end softens, the mix breathes, and a melodic hook steps into the spotlight. It’s a smart, well-timed moment that makes the final drop hit even harder when the full spectrum comes roaring back. Three tight, club-ready minutes that do exactly what the title promises: keep the energy moving all the ways through the night.
Eridu is the project of Belgian youngsters Vertier, Jerrymore and Djumaa. They first made noise in 2020 with an unofficial edit of Ron Carroll’s Lucky Star that blew up on Hypeddit and Soundcloud. By March 2022 they landed their first official release, a full 10-track LP on the Kiev-based label Whoyostro. Their sound has always been clear: rigid grooves, slapping beats and swinging rhythm patterns, all wrapped in what they call ancient-style Babylon funk. All The Ways sits comfortably in that lane while leaning into the deeper, warmer side of house that is currently enjoying a serious revival.
That revival is no coincidence. Groove-led house rooted in 90s DNA is having a real moment right now. Producers are stripping things back, focusing on swing, warmer drums and basslines that actually move bodies instead of just filling space. Eridu’s approach fits right into that conversation. They aren’t chasing trends. They’re simply delivering the kind of honest, floor-focused house that DJs can trust and dancers can lose themselves in.
If you’re the kind of listener who still lights up when a proper rolling bassline kicks in, this one is going to stick with you. All The Ways doesn’t overcomplicate things. It trusts the groove, the hats, and the melody, then lets them do the work. That’s old-school house done right.
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What do you think of Eridu’s take on deep, rolling house? Drop your thoughts in the comments. I’m always curious which tracks are currently living rent-free in your sets or playlists.
