Tech house has been owning club systems for a while now, and when you throw in proper Latin flavour it suddenly feels even more alive. That sweet spot is exactly where James Hurr lands with his mix of Beso de Caramelo. The track sits right in the middle of tech house, Latin house and old-school house, the kind of combination that makes a floor move without needing to shout about it.
James Hurr has been one of the go-to producers in the UK electronic scene for years. His collaboration list reads like a who’s who of dance and pop: Tiesto, Armin Van Buuren, Acraze, Meduza, Vintage Culture, Leftwing : Kody, Basement Jaxx, Mark Knight and Beverley Knight. Support from BBC Radio 1 and Kiss FM has been consistent, and his productions have found homes on major labels plus Ministry, Spinnin, Ultra and Armada. Over 100 releases on Toolroom Records alone tell you how deep the catalogue runs. Since 2021 he has also been writing and producing with Grammy-winning Paul Harris under the aliases Hrrtz, Harris & Hurr and HOT M3SS. He still remixes as Moto Blanco with Bobby Blanco and recently launched the 2CD project on Toolroom.
That background shows in the way this mix is put together. Tech house right now loves a solid rolling groove and a bit of space, and the Latin house side brings rhythmic bounce and warmth that stops things feeling too clinical. The old-school house influence keeps the swing honest. You get the sense of a producer who knows exactly how to balance club functionality with something that still feels human. No need for over-the-top drops when the groove and the cultural flavour do the heavy lifting.
Electronic and dance music as a whole keeps growing in 2026, and tech house remains one of the most reliable styles for both underground rooms and bigger stages. Latin house has been riding a similar wave, with producers blending those rhythms into house frameworks and finding big audiences. A track like this sits comfortably in that conversation. It is the kind of record that works in a peak-time set but also holds up when the lights are lower and the focus is pure movement.
If you are an independent artist trying to get your own music onto the same platforms the big names use, the logistics can feel messy. DistroKid keeps it straightforward. You upload once and your tracks go out to the major streaming services, and you keep more of what you earn. Right now you can grab 7% off your membership with this link: https://distrokid.com/vip/seven/2058328. Plenty of producers in the tech house and Latin house worlds already use it to stay independent while still reaching listeners.
What do you think of this side of James Hurr’s sound? Does the Latin-tech blend hit for you, or are you more drawn to the pure old-school house side of things? Drop your thoughts in the comments.
