Factory 93 just keeps finding the ones who know how to make a dancefloor move without forcing it. Newcastle’s Lewis Taylor arrives on the label with No Matter, a track that sits right in that sweet spot between tech house and old-school house energy. It’s the kind of record that doesn’t need to shout to get attention. It just rolls.
No Matter lands as a deep, steady club cut. Think rolling grooves, a solid four-on-the-floor pulse, and that hypnotic drive that keeps bodies locked in without ever feeling rushed. At around 130 BPM it sits perfectly for those mid-to-late night sets where the energy is already there and you just need something that sustains it. The production leans into classic house values while still feeling current. Clean, functional, and built to work in rooms that actually care about the music.
This is the sound Factory 93 has been pushing for a while now. The Insomniac-backed imprint has become a reliable home for house and tech house that prioritises groove over gimmicks. Lewis Taylor fits that brief cleanly. His earlier work already showed a clear love for UK house history mixed with modern club demands, and No Matter feels like a natural step. It doesn’t try to reinvent the wheel. It just makes the wheel turn smoother.
There’s a quiet confidence in tracks like this. No big drops designed purely for social media clips. No unnecessary breakdowns. Just a focused, rolling arrangement that lets the groove do the talking. That approach has been gaining real traction again. A lot of the better rooms and labels are moving back toward functional dance music that DJs can actually play for more than thirty seconds. No Matter sits comfortably in that lane.
Lewis Taylor has been building steadily in the UK scene, releasing on imprints that value proper club music. Landing on Factory 93 feels like the right kind of step. The label has a clear identity and a global reach that still stays connected to the underground. For a producer who understands both the history and the current demands of the dancefloor, it’s a strong match.
What stands out most is how the track manages to feel both familiar and fresh. The old-school house influences are there in the overall feel and the prioritisation of groove, while the tech house side keeps it tight and modern. It’s the kind of record that works just as well warming up a room as it does holding a peak-time stretch. That versatility is rarer than it should be.
If you’re the type who still gets excited when a new track lands that actually belongs in a club rather than just on a playlist, No Matter is worth your time. It’s straightforward, effective, and built with care. Exactly the sort of music that keeps the culture moving forward without losing the plot.
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What do you make of Lewis Taylor’s sound on this one? Drop your thoughts in the comments. Always good to hear what people are actually feeling on the floor.
