Hey music lovers, ever feel like your brain's doing somersaults trying to grasp something that just feels right, even if you can't explain it? That's the exact vibe Rzekomo is channeling with their latest single "Which." Dropped as the third teaser from the upcoming album The Gray Zone of Talk (set for March 2026), this track is pure glitch electronica magic—think IDM beats that stutter and shift, downtempo grooves that pull you under, and electronic layers that glitch and evolve like digital dreams.
Rzekomo is a Warsaw-based avant-garde project that's all about pushing boundaries in electronica. They're not your typical artist profile—there's no big ego or face behind the music. Instead, their Instagram is a long-running social experiment: one photo of the same tree, taken from the same angle, day after day. It's a clever nod to the question: does modern music need the human creator's identity to matter? In a world obsessed with personal branding, Rzekomo says nah—let the sound do the talking.
And the sound here is seriously immersive. "Which" blends jazz-inflected guitar that's been run through granular synthesis (those tiny, shimmering fragments of sound that make everything feel alive and unpredictable) with crisp electronic beats. The result? A downtempo atmosphere that's both chill and slightly unsettling in the best way—perfect for late-night headphones sessions or when you need to zone out and let your mind wander. The production creates this distinctive space where glitches aren't just effects; they're the heartbeat of the track, echoing that glitch/IDM trend where imperfection becomes art.
The whole album The Gray Zone of Talk dives deep into Henri Bergson's philosophy, specifically his idea of intuition as a direct, non-intellectual way of understanding reality—opposed to cold, analytical thinking. Each track title is part of a bigger aphorism that reveals itself when you stack them up. It's conceptual electronica at its finest: cerebral but never pretentious. In an era where electronic music is booming with experimental downtempo and glitch revival (think artists pushing IDM into new territories with ambient and glitchy textures), Rzekomo fits right in. The genre's seeing a fresh wave of introspective, boundary-blurring work, and this project captures that perfectly—merging organic jazz elements with synthetic glitches to explore how we truly "get" things beyond words.
If you're into artists like Aphex Twin, Boards of Canada, or more recent glitch-electronica experimenters, "Which" will scratch that itch. It's the kind of track that rewards multiple listens as new layers reveal themselves each time.
What do you think—does music need a face, or can it stand alone in the gray zone? Drop your thoughts in the comments, and if you're digging this vibe, hit play and let it wash over you.
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