The Spanish electronic duo UFO Project is back with a proper heater, and if you're into anything that gets the bass rumbling and the energy spiking, "Hit Em Like" is calling your name. Dropped under their Heaven Sent alias on Insomniac's Speaker Freaker Records (yep, fresh out as of mid-February 2026), this track is a funky, ferocious blend of UK Garage and breakbeat that hits hard without apology. Picture those classic skipping rhythms meeting aggressive low-end swings—it's got that perfect mix of nostalgia and modern punch that's dominating dancefloors right now.
UK Garage and breakbeat are having a serious moment in 2026. We're seeing a full-on revival of UKG sounds—think wobbly basslines, shuffled 2-step grooves, and that infectious 4/4 energy—blending with breakbeat's chopped-up drums and rave spirit. Playlists are blowing up with fresh UK Garage 2026 drops, new bassline revivals, and hybrid garage-breaks tracks that pull from speed garage, jungle influences, and even future garage vibes. Artists are updating the old-school formula with crisp production, heavier subs, and club-ready builds, and it's everywhere from underground sets to major festival stages. UFO Project nails this trend perfectly with "Hit Em Like," leaning into the hefty, dancefloor-destroying side of the sound.
UFO Project—Rubén García and Rubén Pachón, the Spanish duo behind the project—have been killing it for years. They first blew up with "Girls N Money" on Rat Records and Punks Music, which smashed to #1 in sales and releases on Beatport in its genre, scored a killer 9/10 from DJ Mag, and even got regular spins on Anna Lunoe's Beats1 radio show. That early win kicked off a rocket trajectory: collabs and releases on heavy hitters like Zeds Dead’s Deadbeats, Circus Records, Bassrush, and Insomniac Records. Support from massive names like Afrojack, Zomboy, Alison Wonderland, Jauz, Excision, and NGHTMRE? Yeah, they've earned it.
What sets them apart is their fearless experimentation across low-end styles. From wonky breaks to brain-rattling trap, they've covered the map without ever sounding forced. Standouts include "New Dawn" (Insomniac's first-ever drum-n-bass single) and their remix work, like on Zeds Dead and Jadakiss's "DNA." "Hit Em Like" feels like a natural evolution—funky yet ferocious, with those UKG swing patterns colliding against breakbeat's raw drive. The production is tight, the drops land with weight, and it's built for speakers that can handle serious bass. If you're chasing that high-energy electronic fix with a nod to UK bass culture, this one's a must-add to your rotation.
The duo keeps pushing boundaries while staying true to what makes their sound click: heavy grooves, clever fusions, and pure club impact. In a year where UK Garage and breakbeat are surging back into the spotlight—fueled by fresh waves of producers reviving and remixing the classics—"Hit Em Like" stands out as a prime example of how to do it right. It's got that instant replay factor, perfect for late-night drives, warehouse raves, or just cranking it loud at home.
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What do you think of "Hit Em Like"? Does it get you moving, or are you more into the classic UKG side? Drop your thoughts in the comments—I'd love to hear!
