If you’ve been scrolling through playlists looking for something that actually feels like something, HAYASHI’s debut single “All Bad” might be the one that stops you mid-scroll. It’s that rare track that manages to be both danceable and deeply human at the same time.
At 122 BPM, “All Bad” sits in that sweet spot where deep house and chill house meet dance pop sensibilities. The melodies are catchy without being throwaway, and the whole thing carries this warm, immersive quality that works whether you’re driving with the windows down or posted up at a daytime lounge. What really stands out are the emotional soulful vocals from Katt Nestel — they give the track a heartbeat that a lot of electronic music misses. It’s got those Rufus Du Sol and Kaskade-inspired vibes, but HAYASHI makes it feel personal, like the kind of record you put on when you want good energy without having to think too hard about it.
HAYASHI isn’t just another name dropping a debut. He’s a San Diego-based artist, producer, and creative architect who’s been shaping his sound through years of travel and real-life experiences across the globe. He started as a singer-songwriter before stepping fully into production so he could control every layer of the world he was building. That shift shows in “All Bad” — it feels intentional, rhythmic, and grounded in something bigger than just a beat drop.
Beyond the music, HAYASHI is the founder of SMYLE CO, a fast-growing lifestyle brand and creative ecosystem that pulls together music, fashion, events, and wellness. He’s not just releasing tracks; he’s building culture. You can feel that bigger vision even in this first release. He’s constantly moving between San Diego, LA, Mexico City, and Las Vegas, expanding his network and developing new music and live experiences. With upcoming releases on the way, large-scale events in the works, and the relaunch of the SMYLE platform, this debut feels like the start of something much larger — where music, energy, and culture actually collide instead of just existing next to each other.
What’s wild is how quickly “All Bad” has started picking up steam on Spotify — only eight days out and it’s already finding ears. In a scene where deep house and chill house are delivering some of the most listenable, vibe-heavy music right now, HAYASHI’s approach feels right on time. He’s making records that don’t just fill a playlist slot; they create a mood you actually want to stay in.
If you’re an artist out there grinding on your own music and wondering how to get it in front of more people without losing control of your vision, there’s a straightforward path that’s helped a lot of independent creators. DistroKid makes it simple to distribute your tracks to all the major platforms — and you’ll get 7% off your membership with this link: https://distrokid.com/vip/seven/2058328. It’s one of the easiest ways to reach more listeners while keeping more of what you earn.
What do you think of HAYASHI’s sound? Does “All Bad” give you those good feels too? Drop your thoughts in the comments — I’d love to hear what this one does for you.
