Late-night floors still craving that perfect mix of groove and emotion just got a fresh hit. Maxi Meraki is back on his own Radiate imprint with the What I Please EP, and the energy feels made for those heavy, extended sets that keep the room locked in until sunrise.
The EP delivers two tracks built specifically for late nights and heavy floors. “What I Please” links Maxi Meraki with Raul Vidal, while “Don’t Stop” brings in Alexey Union, Kinky Sound and Catmoonk. Sitting in the tech house, melodic house and old-school house lane, these cuts lean into the kind of driving yet atmospheric sound that has defined a lot of current club programming. You get the rhythmic push of tech house alongside the more emotional, melodic layers that give melodic house its pull. The result is music that works both as pure dancefloor tools and as tracks with enough character to stick with you after the lights come up.
Maxi Meraki has been building this sound for a while. Driven by a clear desire to succeed and to radiate emotions through his music, he has steadily gained recognition with releases on labels including Abracadabra, Monaberry, Get Physical, Ultra Records and Artbat’s Upperground. Those records have racked up strong chart positions and helped establish him as a growing presence in electronic music. Support has come from some of the biggest names in the scene: Jamie Jones, Keinemusik, Rüfüs Du Sol, Adriatique, Black Coffee, Solomun, &ME, and Pete Tong on BBC Radio 1. That kind of backing does not happen by accident. It reflects a consistent ability to deliver tracks that work in real club environments while still carrying a personal stamp.
The timing of the What I Please EP feels right. Tech house and melodic house continue to dominate a lot of peak-time and late-night programming, blending the percussive drive that keeps bodies moving with the melodic elements that create those hands-in-the-air moments. Old-school house influences add another layer of warmth and groove that many dancers still respond to. Maxi Meraki’s return to Radiate with these two collaborations shows him staying true to that space while expanding the circle of artists he works with.
What stands out is the focus on music made for the floor. These are not tracks designed purely for streaming playlists. They are built for the physical experience of a packed room, the kind of records that DJs can work into a set and trust to hold attention. In a scene that sometimes chases trends a little too hard, there is something refreshing about an artist who keeps coming back to the fundamentals of groove, melody and emotional connection.
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Maxi Meraki’s What I Please EP is another solid step in a career that continues to radiate outward. The combination of strong collaborations, a clear sense of what works on the floor, and consistent support from respected names in the scene makes it worth paying attention to. Give the EP a spin and see how it sits in your own sets or playlists.
What do you think of this direction for tech house and melodic house right now? Drop your thoughts in the comments.
