There’s a particular kind of track that hits like a late-night decision you don’t regret in the morning. Boy Apocalypse’s “Making Out” is exactly that. It’s a high-energy electro-pop and bass-house cut that celebrates queer desire without apology, pulling from the sticky, unfiltered energy of the indie sleaze revival and the aggressive hyperpop bass that artists like Charli xcx and SLayyyter made their signature. The result feels like pure club hedonism—messy, physical, and completely liberated.
The track comes from the upcoming album Cathedrals and sits as a joyful, uncomplicated exhale. Originally written for the duo BOY2K, it now arrives under the Boy Apocalypse name and brings the dirtier, more hedonistic side of the underground straight to the dancefloor. You can hear the frantic pulse of The Dare’s indie-sleaze revival colliding with those fierce, distorted hyperpop low-end hits. It’s chaotic in the best way—built for movement, for heat, for the kind of night where the only plan is to stay in the moment.
Boy Apocalypse is the alter ego of Grant Genske, a Bay Area songwriter, singer, producer, and DJ. His path is interesting: forged in evangelical Christianity and later polished by years spent in the club. That tension shows up in the work. He blends electronic production sensibilities with intimate pop vocals, visceral lyric writing, and a musical intuition that still bends toward the spiritual even when the subject matter is pure physical freedom. “Making Out” feels like the most unguarded version of that combination yet—less guarded, more immediate, and fully at home in the sweat of a crowded floor.
The broader scene this track sits in is having a moment. Indie sleaze is still echoing through playlists and underground parties, while hyperpop’s influence on bass and structure continues to shape how dance tracks feel in 2026. Artists who can pull those two threads together without watering either down are rare. Boy Apocalypse does it with a clear point of view: queer desire as something bright, loud, and worth celebrating out loud. No overthinking. Just the drop, the bass, and the bodies.
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“Making Out” is the kind of song that makes you want the rest of Cathedrals right now. It’s unapologetic, dancefloor-ready, and rooted in a real personal story. What do you think of this collision of indie sleaze and hyperpop energy? Drop your thoughts in the comments—curious how it hits for you.
