If you’ve been craving that rush of big room energy mixed with classic trance drive, Fahjah just delivered something worth hitting repeat on. “Missing You Already” lands under Dreamstate Records and steps straight into the lane of high-energy electronic music that feels built for festival main stages and late-night club sets.
Fahjah is a Canadian-born electronic music producer known for fusing genres in creative ways. He has built a reputation blending Euro Dance, Hard Dance, Hard Techno, Bass House, and Speed House into original tracks that stand out. His work has connected him with artists like Moksi, Disco Fries, Ben Gold, Tommie Sunshine, and Haus of Panda. Support has come from major names including Marshmello, Alok, Armin van Buuren, Steve Aoki, Black Tiger Sex Machine, Ray Ray, Ben Nicky, Ephwurd, Nicky Romero, Andrew Rayel, and even The Spice Girls.
He has signed tracks with labels tied to dance music heavyweights such as Steve Aoki’s Dim Mak Records, Showtek’s Skink Records, Yellow Claw’s Barong Family, Will Sparks’ Clubwrk, and Armin van Buuren’s Armada Music. Space Yacht’s Hidden Hen and London Bridge signed two of his tracks after hearing them on Tune Reactor. His music regularly lands in major Spotify and Apple Music playlists like Mint Canada, New Music Friday Dance, Bangers, Rage Beats, Trancemission, Breaking Dance, and New In Dance. Streams sit in the millions, with chart success that includes a number one on the American iTunes House Charts and top 10 placements in places like Norway, Japan, and Hong Kong. You’ll hear his tracks in clubs across Asia, Europe, and North America, plus festivals including EDC, Tomorrowland, and multiple Ultra Music Festivals. Remixes often climb Hypeddit’s Top 10, and originals keep finding homes on major labels.
“Missing You Already” sits firmly in trance territory with a clear Big Room mood. That combination brings the euphoric lift and driving energy that trance fans chase, while the big room elements give it that larger-than-life festival punch. In a year where trance continues to regain momentum—artists returning to the sound and events like A State of Trance drawing big crowds—this track feels timely. Producers who can pull from both the emotional side of trance and the high-impact drop style of big room are finding an audience ready for that exact mix.
Fahjah’s approach has always leaned toward original, creative compositions rather than sticking to one rigid lane. That flexibility shows in how he moves between harder dance styles and more melodic electronic sounds. Releasing under Dreamstate Records keeps the focus on that energetic electronic identity he’s built.
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What do you think of Fahjah’s take on big room trance? Drop your thoughts in the comments—always curious what stands out to you in tracks like this.
