Some songs do not ask you to believe in love. They ask you to believe you finally saw it clearly. That is the hook of Dei Cicchi’s “Believe It,” a synthpop single that lands like a pop-rock reckoning rather than a dreamy synth wash.
The artist submitted it as synthpop, and the frame fits: sleek, hook-first writing with a modern sheen. What she built around that frame is sharper. In her own words, “Believe It” is about the moment you realize you did not just fall for someone—you fell for all their bullshit. Witty lyricism, vivid storytelling, and a cathartic edge give it a Hayley Williams-meets-Olivia Rodrigo vibe. That is not a vague press-kit comparison. It is the shape of the song: confessional, punchy, and unwilling to stay polite once the truth shows up.
This is only her second release, and she is doing the thing completely on her own. That matters in 2026, when a lot of synthpop still arrives through collectives, labels, or a whole room of co-writers. Dei Cicchi is stacking the parts herself and trusting the song to carry the weight. Independent synthpop has been having a moment for a reason. Listeners want melody and personality, not just pads and nostalgia. A track that can live on a playlist next to glossy electropop and still feel like a diary entry is the version that travels.
She also comes from a household that already knows what a big chorus can do. Dei Cicchi is the daughter of Robin Beck, the American singer whose “First Time” became a late-80s smash in Germany and across Europe after it soundtracked a Coca-Cola campaign. That is context, not a co-sign she is leaning on. She is not covering her mother’s catalog. She is writing her own argument in a different language: synth-led pop with a rock sting.
Pay attention at 1:42. That is the drop into the bridge she flagged as worth the wait, and it is the structural turn the song is built around. Up to that point, “Believe It” does the work of a good pop single: it sets the scene, tightens the hook, and lets the attitude accumulate. Then the arrangement opens and the emotional temperature jumps. If you only half-listen, you will miss why the title works. The song is not begging anyone to believe a romance. It is daring you to believe the version of events that finally makes sense.
What keeps it from turning into a genre exercise is the writing. Synthpop can coast on atmosphere. This one coasts on specificity. The bio she sent talks about witty lines and vivid storytelling, which is the Olivia Rodrigo side of the comparison: scenes, not slogans. The Hayley Williams side is the bite—the sense that the vocal is not decorating the beat, it is prosecuting the case. You do not need a lyric sheet in front of you to feel that shift from crush to clarity.
That mix also explains why the track sits comfortably in current pop conversation. Chart pop has spent the last few years cycling through diary-core confessionals and glossy electronic revival. “Believe It” does not pick a lane so much as collide them. Call it synthpop if you are filing it. Call it punchy pop-rock if you are describing how it hits. Either way, it is a second single that already sounds like someone who knows the difference between a pretty production and a finished thought.
If you are an artist looking to get your music out there, DistroKid makes it simple to distribute your tracks to major platforms—and you’ll get 7% off your membership with this link: https://distrokid.com/vip/seven/2058328. It’s a great way to reach more listeners and keep more of your earnings. Dei Cicchi putting out a second release on her own is the whole point of that pipeline: write it, finish it, put it where people can find it.
What do you think of this artist’s sound? Does the bridge at 1:42 land the way she promised? Let me know in the comments.
