Spooky season always brings a wave of music that feels a little haunted, a little dreamy, and perfect for late-night headphone sessions. This year the standout for that mood is “undead,” the collaboration between Atlanta’s Anji Kaizen and electric mallet. The track sits in a space where light drum and bass rhythms meet glitch hop textures and future bass atmosphere, all wrapped in the soft, nocturnal glow of chill hop.
Anji Kaizen is a songstress and alt-rock vocalist from Atlanta. As the front woman and mastermind of her project, she moves between moody dark pop and upbeat alternative rock in the vein of Paramore, Chvrches and PVRIS. Powerhouse vocals, soaring melodic lines and memorable guitar riffs are the core of the sound, shaped by influences such as Lights, Hayley Williams and Ellie Goulding. The songs function as intimate, poetic confessions that keep thick vocal layers and big hooks at the center. Music is available worldwide through Kaizen Records, with downloads and more at anjikaizen.com, and updates live at @anjikaizen.
electric mallet brings the other half of the equation. The Atlanta-based project centers on electronic vibraphone, folding chill-hop, lo-fi, hip-hop and jazzy elements into relaxed yet upbeat music built for events, businesses and creative spaces. On “undead” that jazzy vibraphone sits right up front, giving the track its signature shimmer while the production stays light and fluid.
The result is described as spooky chill hop featuring dreamy vocals and that jazzy vibraphone. Light drum and bass energy keeps things gently propulsive without ever tipping into full speed. Glitch hop details add subtle digital texture, and future bass atmospheres open the space so the vocals can float. The overall feel is nocturnal and weightless, the kind of track that works equally well as background for focused work or as a late-night companion when the house is quiet.
The song draws directly from Anji’s experience with long COVID, the sensation of feeling like a ghost in waking life while finding endless possibility in nightly dreams. That idea threads through the music without needing extra explanation. The refrain “Undead all night” lands as the emotional center, a simple, repeated invitation into that hidden hour when the rest of the world has powered down.
Independent artists continue to push these hybrid electronic spaces, blending acoustic instruments like vibraphone with digital production tools and personal storytelling. The result is music that feels handmade yet fully modern, the kind of release that finds listeners through playlists and word of mouth rather than traditional channels. “undead” fits neatly into that current: polished enough for broad appeal, specific enough to stand out among other chill hop and light drum and bass tracks.
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What do you think of this blend of dreamy vocals and jazzy vibraphone? Let me know in the comments.
