Flytz Delivers Pure Groove with All Love on KOOKOO Records

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There’s something refreshing about a house track that knows exactly what it wants to do and then just does it. No overthinking, no extra layers for the sake of it—just a solid groove that lands and stays. Flytz’s All Love, released on October 23 via KOOKOO Records, fits that description cleanly. It sits in that sweet spot between minimal house, old-school house, and deep house, pulling classic dancefloor energy into the present without trying too hard.




The production leans on a punchy bassline that drives everything forward with real weight and swing. Soulful textures sit around it, giving the track that warm, familiar feeling of classic house while the overall arrangement keeps things current and functional. Flytz draws from underground house and 90s hip-hop influences, and you can hear that in the natural sense of swing and character running through the record. It doesn’t pile on unnecessary elements. Instead, it focuses on a well-crafted groove built for the dancefloor—something that can live in a club set, a late-night mix, or just on headphones when you want something that moves without demanding constant attention.

This approach feels very much in line with where a lot of deep and minimal house is heading right now. Listeners and DJs are still drawn to records that balance warmth and restraint, records that reference the history of house without turning into pure nostalgia. KOOKOO Records has been a consistent home for that kind of sound, and All Love slots in naturally alongside previous Flytz material like Bring It on the same label. The track reflects a clear musical vision: keep house music moving forward by focusing on the right feeling and a groove that actually works.

Flytz is a DJ and producer based in Trois-Rivières, Canada, whose sound blends minimal and deep house with groovy basslines, catchy vocals, and captivating musical elements. At around 22 years old and having started his career at 15, he has already built a noticeable presence. He has performed at venues including City at Night and Salon Daome, opened the Artikfest festival, and is the creative force behind the Deep Hours events in Trois-Rivières. Those events merge house music with visual art and help grow a local scene. He also runs Deep Hours Records, focused on groove-driven house. Public profiles describe his music as deep and groovy, driven by punchy basslines and soulful textures with old-school influences drawn from underground house and 90s hip-hop—exactly the ingredients that show up in All Love.

For independent artists working in house and electronic music, getting a release like this out cleanly matters. Platforms, store pages, and playlist placements all start with solid distribution. DistroKid (affiliate link) makes that process straightforward, and the referral link above gives artists 7% off membership so more of the earnings stay with the people making the music.

All Love is a straightforward, dancefloor-ready addition to the KOOKOO catalog and another clear step for Flytz as he continues building his sound. If you like house that prioritizes groove, swing, and feel over flash, this one is worth a spin.

What do you think of this kind of minimal-leaning deep house right now? Let me know in the comments.

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