Hey bassheads, ever feel like 2025's been a whirlwind of festival dust, late-night sets, and those drops that straight-up rearrange your soul? If you're knee-deep in the riddim tearout scene or just chasing those future bass chills, I've got the track that's gonna hit different this December. Leotrix just unleashed "Dub For Moving On" on Gud Vibrations, and it's like he bottled up years of pent-up energy into one seamless banger. This isn't just a release—it's a statement from one of Australia's hottest rising stars, blending aggressive tearout growls with the dreamy haze of chillstep. If you're searching for the best riddim bass tracks of 2025 or future bass mixes that actually evolve, buckle up. We're diving in.
Picture this: You hit play, and it starts with these lush, atmospheric layers that scream chillstep vibes—think hazy synths floating like mist over a quiet beach at dawn. But don't get too comfy, because Leotrix flips the script faster than a Lost Lands crowd moshes. Drawing from his signature sound design (the guy's got a rep for it), the production builds with precision, layering in future bass elements like shimmering plucks and melodic swells that pull you right into the emotional core. Then, boom—enter the riddim tearout hybrid. Those "no holds barred" drops? They're pure mayhem, with wobbling subs that rattle your speakers and gritty, half-time rhythms that nod to the heavy dubstep resurgence we've seen all year. It's introspective yet unrelenting, like the bass itself is urging you forward, leaving the past in the dust. No wonder he's been teasing snippets of this since 2021; it's evolved into a monster that's perfect for those high-energy sets.
Leotrix isn't some overnight sensation—he's been grinding from the Aussie underground, and his trajectory is straight fire. Hailing from that musical hotbed Down Under, this young producer's already racked up supports from heavyweights like Marshmello, Excision, Zomboy, and NGHTMRE. We're talking jaw-dropping melodies that stick with you and drops that clear the dancefloor (in the best way). His tunes have stormed stages at EDC, Ultra Music Festival, Rampage, Hard Summer, and Lost Lands, plus radio spins on BBC Radio 1 and Triple J. With over 3 million streams under his belt, it's clear why he's one of bass music's most in-demand prospects right now. And the touring? He's crushed national runs across Australia and is gearing up to export that chaos to Asia, New Zealand, and the US. Total worldwide domination? Yeah, that's the vibe. "Dub For Moving On" feels like the next chapter in that story—a track born from years of live-testing in the wild, now polished for the masses.
Speaking of the bass scene in late 2025, it's electric. While speed garage and UK bassline have been blowing up TikTok with their choppy, viral energy (shoutout to those Sammy Virji sellouts), the core riddim and tearout crowds are holding strong at festivals like Lost Lands. Excision just dropped 17 full sets from this year's edition on Apple Music, reminding us why half-time drops and melodic bass fusions are still king. Tracks like this one from Leotrix slot right in, bridging the aggressive tearout edge with future bass's uplifting hooks and chillstep's reflective cool-down. It's timely too—amid all the half-time/downtempo bass playlists popping off on Spotify, this release reminds us that bass music thrives on contrast. Heavy enough for the pit, chill enough for the comedown. If you're building your 2025 bass music playlist, this is non-negotiable.
What seals the deal on "Dub For Moving On" is how it captures that push-pull of progress. In a year where bass heads are craving tracks that evolve with the trends—think more hybrid drops blending riddim aggression with chillstep serenity—Leotrix delivers without overcomplicating it. The production shines through every switch-up, proving why Gud Vibrations is the spot for these forward-thinking releases. It's the kind of tune that gets you moving, literally and figuratively, whether you're pre-gaming a warehouse rave or zoning out on a road trip.
Alright, real talk: If you're an up-and-coming producer eyeing your own riddim tearout or future bass breakthrough, distribution is your secret weapon. Platforms like Spotify and Beatport are flooded, but getting your sound out there clean and quick? That's where DistroKid comes in clutch. It lets you upload unlimited tracks to all the majors, keep 100% of your royalties, and hit the ground running. Plus, snag a sweet 7% off your first year with this link: https://distrokid.com/vip/seven/2058328. It's how artists like Leotrix scale up without the hassle—more time creating, less time stressing.
So, what's your take? Does "Dub For Moving On" have you ready to rage, or is it the chillstep side that's got you hooked? Drop your thoughts in the comments, share this if it slapped, and let's keep the bass convo going. Who's next on your must-listen for 2025's tearout dubstep wave? Hit play and let me know.
