Hey friends, if you're scrolling through your feeds feeling that familiar mix of existential dread and quiet longing, Mary Middlefield's new single "Milk" just dropped and it's hitting right in the feels. This track is the latest taste from her upcoming second studio album Will You Take Me As I Am?, set to arrive March 6th, and honestly, it's the kind of song that makes you pause your playlist and just listen.
What grabs you first about "Milk" is its orchestral sweep—think delicate piano lines weaving through harp glimmers and those soaring violin strings that build like a slow emotional wave. It's haunting, cinematic production that starts intimate and swells into something bigger, more urgent. The whole thing feels like a perfectly crafted metaphor: that forgotten bottle of milk in the back of the fridge, slowly expiring while waiting to be chosen. It's not just about rejection or conditional love—it's about the quiet terror of fading away while preserving yourself for someone (or something) else's approval. The contrast between the lush, elegant instrumentation and the raw vulnerability underneath? Chef's kiss. It's indie pop with real depth, blending alt pop sensibilities and indie rock edges into something theatrical yet deeply personal.
Mary Middlefield, the Swiss-born, London-based singer-songwriter, has been building quite the buzz. Classically trained on violin since she was five, she's always had this knack for blending folkloric richness with rock and pop influences. Her journey kicked off with earlier releases like Thank You Alexander and the Poetry (for the scorned and lonely) EP, but she's evolving fast. Past singles like "Wake Up!", "The Feast", "Summer Affair", "Will You Read My Mind", and "Bite Me" snagged playlist spots and airplay from big outlets like BBC Radio 2, BBC 6 Music, Radio X, and SiriusXM. She's played iconic stages—Glastonbury, Montreux Jazz Festival, Sofar Sounds—and even represented at the Paris Olympics. Critical love from Hunger, The Line of Best Fit, Noctis, Wonderland, and BBC Introducing keeps rolling in, and it's easy to see why: her music turns personal pain into something cathartic and defiant.
This new era feels like a step up in assertiveness. Will You Take Me As I Am? leans into rock energy with driving basslines and bold arrangements, while keeping that signature emotional intimacy. Recorded between London and Switzerland, she co-wrote with collaborators like Anna Borkenhagen, Arnaud Paolini, Gwen Buord, Marino Palma, and Yvan Vindret. Co-producer Jim Abbiss and GRAMMY-winning engineer Randy Merrill (who's worked with Billie Eilish, Chappell Roan, Taylor Swift) helped master it—talk about top-tier polish.
In the broader indie scene right now, we're seeing a wave of artists blending orchestral elements with alt pop and indie rock for more dramatic, storytelling-driven tracks. Think theatrical grandeur meeting raw emotion—it's refreshing in a year full of genre fusions and emotionally articulate newcomers. "Milk" fits perfectly into that, standing out as one of those previews that makes you excited for the full album drop.
Mary's hitting the road soon too—kicking off in Lausanne, Switzerland on March 26th, then UK stops in Portsmouth and London early April, Paris, and a German run wrapping in Hamburg on April 14th. If you're nearby, grab tickets at her site; this live energy sounds like it's going to be electric.
"Milk" is out now everywhere you stream—go give it a spin and let it sink in. What hits you hardest about it? The metaphor, the strings, the whole vibe? Drop your thoughts in the comments—I'd love to hear!
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