The Parade Unveils Debut Album 'City of Dreams' with Wistful Electro Pop Gem "A Little Bit Sad"

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Hey everyone, if you're anything like me, you've been craving that perfect blend of nostalgic vibes wrapped in fresh, shimmering production. Well, stop scrolling because Swedish trio The Parade just dropped something seriously special. They've announced their debut album, City of Dreams, set to hit on March 13th via Nettwerk, and alongside the big reveal comes the warm, wistful single "A Little Bit Sad." This one's got that cool Scandi vibe in spades—think sleek, atmospheric electro pop that feels both intimately emotional and quietly euphoric.




Hailing from Stockholm, The Parade (Felicia Morfelt on vocals, plus John Andersson—aka Zoo Brazil—and Jonas Edquist) craft music that's proudly melodic and detail-oriented. Their sound pulls from late '80s and early '90s pop icons like Saint Etienne's sophistication, the dreamy atmospheres of Cocteau Twins, Talk Talk's mournful beauty, and The Sundays' baroque shimmer, all while nodding to '60s girl groups and Phil Spector's Wall of Sound. They bring it to life with era-defining gear like the Fender Jazzmaster and iconic Rhodes piano, but here's the key: it never feels like a retro copy-paste job. Instead, it's got this unmistakable identity—paisley melodies, subtle psychedelic chord progressions—that makes it sound purely like The Parade.

"A Little Bit Sad" captures that essence perfectly in the electro pop, dance pop, and synthpop realm. It's a warm, wistful track that distills their chic pop sensibility into something quietly euphoric. The production is meticulous, layering those lush synth textures and melodic hooks that pull you in without overwhelming. There's a gentle, danceable pulse underneath the melancholy, making it ideal for late-night drives or reflective playlists. That Scandi coolness shines through—clean, elegant, and emotionally detailed, with a touch of glacial Swedish pop charm that feels effortlessly modern.

The full album City of Dreams promises to be a genuine statement: a love letter to pop songwriting from an era before algorithms ruled everything. It's rooted in craft, emotional connection, and those rich historical influences worn lightly. The tracklist looks stacked—Someday, Sail Away, She Knows, Together, Lost and Found, There She Goes, I’m a Dreamer, Echoes, Shame, How Long Will I Be Waiting, and of course "A Little Bit Sad." Their origin story is charming too: two guys in a pub dreaming of '90s Camden vibes, hunting for a singer who could nail darts and deliver an a cappella "Song To The Siren" like a pro. Enter Felicia, a perfect 180 on the board, and the rest (plus a sauna session, naturally) is history.

In 2026, electro pop and synthpop are having a real moment, with fresh takes on nostalgic sounds making waves and Scandi influences still shaping global pop. Artists are blending those classic synth-driven hooks with contemporary production, and The Parade fits right in—reviving that pre-social-media pop magic while keeping it relevant and dancefloor-ready. It's the kind of music that transports you, blending catchy arrangements with heartfelt depth.

If you're digging this Scandi electro pop glow-up, make sure to stream "A Little Bit Sad" and pre-save City of Dreams. What do you think of that wistful-yet-euphoric vibe? Does it hit that sweet spot of sad-but-danceable for you? Drop your thoughts in the comments—I'd love to hear!

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